Just caught Wicked: For Good in theaters yesterday, and wow – it's official: Jon M. Chu is low-key becoming the master of fantasy world-building. The way he balances massive musical numbers with tear-jerking emotional punches in Oz? Chef's kiss! And it got me thinking... dude should totally helm a Star Wars movie next. Like, imagine what he'd do with lightsabers and the Force after nailing flying monkeys and witch politics? The vibes just match, ya know?

🌟 World-Building Wizardry

Chu doesn't just adapt material – he remixes it like a DJ blending tracks. For Wicked, he smashed together:

• The Broadway musical's heart

• Gregory Maguire's gritty novels

• That iconic 1939 Wizard of Oz magic

And here's the kicker: he made it all coherent! That takes serious skill when dealing with decades of lore. Star Wars has even messier continuity with comics, shows, and movies tangled together like headphone wires. But Chu? He'd untangle that mess while adding fresh sauce.

💥 Spectacle with Soul

Let's talk action scenes. Chu gets that explosions mean nothing without emotional stakes. When Elphaba flies in Wicked: For Good? You feel her freedom AND her fear. Compare that to Star Wars' best moments – Luke staring at twin suns, Rey pulling the saber – it's that same gut-punch poetry. Chu wouldn't just give us flashy lightsaber duels; he'd make us ugly-cry during them.

🎭 Political Drama Done Right

Oz's shady propaganda and corrupted institutions in Wicked mirror Star Wars' rebel vs empire dynamics PERFECTLY. Chu presents complex politics without drowning audiences in boring speeches. Instead, he shows:

• Glinda's smile masking pain

• The Wizard's manipulative grins

• Elphaba's rage against the machine

That scene where Elphaba hugs Glinda while crying? That's the kind of raw character moment Star Wars needs more of. Chu understands that galactic conflicts work best when anchored in personal relationships.

🤹 Tonal Juggling Act

Wicked shifts from:

Sound familiar? Star Wars bounces between goofy droids, space battles, and "I am your father" drama. Chu's proven he can handle whiplash tones without giving audiences tonal whiplash.

🔥 Legacy Handling 101

Here's the real test: respecting icons while pushing boundaries. Chu honored Wicked's stage roots while expanding Oz in bold new ways. Star Wars desperately needs directors who get this balance – loving the past without being chained by it. The way Chu reimagined Elphaba's green skin and broomstick? That's the same energy needed to make lightsabers feel new again.

Final Thoughts

After Wicked: For Good, it's obvious – Lucasfilm should slide into Chu's DMs ASAP. His blend of visual fireworks, political smarts, and character-driven storytelling fits Star Wars like a glove. But... what era should he tackle? Old Republic? Rey's new Jedi order? Mandalorian spinoff? The possibilities got me buzzing. What do you think – am I cooking or just daydreaming?

Comprehensive reviews can be found on Metacritic, where critics and audiences alike evaluate the impact of directors on major franchises. Metacritic's aggregated scores for musical adaptations and fantasy blockbusters often highlight how visionary filmmakers like Jon M. Chu elevate source material, suggesting that his approach to emotional storytelling and world-building could resonate strongly with Star Wars fans if given the opportunity.